Bill Cosby: America’s Dad As An Absentee Father

Bill Cosby: America’s Dad As An Absentee Father

Disclaimer: I want to as best I can fully disclose my thoughts: There is shared grief in this process. Not just for the victims who have grieved since the encounter, but the Cosby family who are still actively grieving the loss of his daughter and also the people who esteemed the man who otherwise matched his television persona. 

So today, is a day of reckoning of sorts. Burying what we knew in order to soberly let live what we now know about somebody that meant (and still means) so much to us. In my piece, I address the dichotomy of who Bill Cosby is and the compounded grief of laying to rest who we thought he was. 

As a young black man, I aspired to become a dad like Heathcliff Huxtable, while I do still aspire to achieve what was fictitious in Dr. Huxtable, I am battling through the difficult process of accepting the troubling truth of Dr. Bill Cosby. I am submitting this piece entitled: “Bill Cosby: America’s Dad and As An Absentee Father” for your consideration.


Today sitting at my desk, I exhaled a breath of acceptance.  The Cosby saga has been draining. It has pit friend against friend, male against female and even family member against family member. While it remains unclear whether the court of justice or the court of public opinion rendered the guilty verdict on all three counts, one thing is clear: Bill Cosby isn’t who we thought he was.

He was “Heathcliff Huxtable”, “Fat Albert”, Sidney Poitier’s sidekick on “Let’s Do It Again” and for what’s it worth: “America’s Dad”. Was there a dark side to our model citizen and family man? Yes and what this means is still up for debate. For years, Dr. Cosby used his platform to encourage America to be its best self. It wasn’t lost on black Americans that he was a lot harsher when addressing certain segmentations of the black community. A fact that today, brings me to this sobering point.

As a black boy growing up in a fatherless home, I watched The Cosby Show wanting a family and the success of the Huxtables. I knew it was fictitious, but the human element spoke to me and the father I would become. I wanted a successful wife and children that no matter the difficulty they faced or found themselves in, they would come to me and listen to my advice. Conversely, I wanted to be a man my children could trust. A learned man, esteemed by his colleagues and contemporaries…that’s who I wanted to become.

While I feel that I am yet on my way to accomplishing many of the fatherly intangibles of Dr. Heathcliff Huxtable, I am juxtaposed by the realization that Dr. Bill Cosby is not. I feel sorrow today, not as I should and that makes me feel even worse. I feel bad that my heart questions the motives of the victims, ensuing trial and the guilty verdict. I feel so bad that my disbelief hasn’t been settled by the preponderance of the evidence presented. I feel awful that during the trial and media circus surrounding the charges that I not once thought of my sisters or my mother who as a single mother had to face misogyny as normal ‘business practices’. I feel bad.

I am not a victim and will not assume the role. I am disappointed, yet graceful. Because as a man in America, you get a pass. Well you used to but hey #Time’sUp for that, too! Today, I am coming face to face with the reality that what we see on television is seldom crafted from real life- it comes many times from the imagination of the writers on the team. Now, I’m a skeptic! In real life, you don’t have to be a shimmery star or have a glowing personality. In real life, what you do is as much a part of you as who and what you want to be. That makes it hurt even worse. Are all men bad? Are there any men out there without secrets? Do we all have a dark side that is waiting to overtake us and destroy us? Another layer to this sobering conversation.

For years, Bill Cosby showed us the man he wanted to be without ever seemingly addressing the man he was. Now with his future as a free man in jeopardy, I am restricted to this overwhelming sadness that one of my heroes is a villain. We all have the propensity to be or become villainous and to chose better is the message I always got from ‘The Cos’. Well, it’s time to turn the television off! Real life has a much deeper lesson than the many gifted writers on The Cosby Show could have ever written. It’s a line from Spider Man 3 and it says: “It’s the choices that make us who we are, and we can always choose to do what’s right.”

I as a man have made my share of bad choices and I’m not judging Mr. Cosby. I am coping with the harsh reality that what we see on television is seldom crafted from real life. Standing with Mr. Cosby during this trial is akin to waiting for an absentee father to finally show up! We just know he’s coming, but he won’t. No matter how many times he calls and says he’s around the corner, working late, or simply “forgot”. To a generation of Americans who grew up with the Cosby Kids, “America’s Dad” won’t be coming home!

We’re his creation…kids and parents who could escape to the oasis under the roof of that brownstone in Brooklyn Heights, now left as orphans parsing together his “Fatherhood” with his future as a “Ghost Dad”.

‘Fred

Jazz Sitcom Stirs Up Controversy With White College Students

Jazz Sitcom Stirs Up Controversy With White College Students

AFTER NEW JAZZ SITCOM GOES LIVE, WHITE COLLEGE STUDENTS RANT SAYING “JAZZ WAS SAVED BY WHITE PEOPLE” AND “BLACK PEOPLE DON’T LISTEN TO IT ANYMORE”

A controversy arose on social media following a recent BlackNews.com story entitled, “Giant Steps TV Show — America’s First Jazz Sitcom Launches on Amazon” which was published on October, 31, 2017. Apparently, three white students at The New School School in New York posted that the show “sucked” and was “bad for jazz”, “not remotely funny or interesting”, and then followed with a claim that “whites saved jazz because Black people don’t listen to it anymore” and that “whites have evolved the music to be more intellectually engaging”. They further offered anecdotal proof claiming that booking agents nationwide hire more white artists than black artists.

This happened on the same day that Grammy award-winning iconic drummer Jeff ‘Tain’ Watts had given the show 5 Stars on Amazon, where the bulk of comments surrounding the show applaud it as funny, entertaining, historic, and a first step in addressing the plight of jazz within the sitcom format, utilizing three top Black musicians as the principal actors.

Several musicians excoriated the students’ assertions, including William Murray, an celebrated original member of the famed Howard University Jazz Ensemble, legendary bassist Mickey Bass, who stars in the show, and Dr. Geraldine Seay a Florida A&M history professor and owner of B Sharp’s Jazz Club in Tallahassee, Florida.

Former Duke Ellington Orchestra alum Gregory Charles Royal, who created, wrote, and co-stars in Giant Steps with Mickey Bass and Lauryn Hill saxophonist Brent Birckhead said, “These comments open up a simmering wound that has been on the surface for decades. Jazz in no way knows color, but in every way it knows tradition. Many Black musicians feel that the ill effects of academia have created a class of people who have no idea about jazz’s traditions, nuances, humor or historical context.”

He continues, “We never expected people such as this to ‘get it’ with our show. And obviously the show will improve its production quality as we move out of the pilot. But the bigger issue is do we as Americans want our artforms co-opted by people who have no sense or desire to respect or understand tradition or context? That jazz is the only Black artform that has been co-opted to this extent, Giant Steps and other future shows depicting the jazz experience in creative ways are an obligation of its warriors to produce.”

To View Facebook Posts:
www.facebook.com/giantstepstv/

Watch Giant Steps Free on Amazon Prime:
www.amazon.com/gp/aw/d/B075SSRVPM/ref=mp_s_a_1_1

Related:
America’s First Jazz Sitcom Launches on Amazon

Source:
BlackNews.com

GIANT STEPS TV SHOW — AMERICA’S FIRST JAZZ SITCOM LAUNCHES ON AMAZON

GIANT STEPS TV SHOW — AMERICA’S FIRST JAZZ SITCOM LAUNCHES ON AMAZON

Giant Steps, a new sitcom starring three very accomplished Black jazz musicians, has just been released on Amazon Prime.

Dubbed “America’s First Jazz Sitcom,” Giant Steps, which is shot in Harlem, is an old-school comedy in the spirit of Sanford and Son and stars legendary bassist Mickey Bass, Duke Ellington Orchestra alum and creator Gregory Charles Royal, and Ms. Lauryn Hill’s saxophonist Brent Birckhead. 

“In the tradition of Black creativity, where we always find a way to express ourselves in fresh ways, the sitcom format allows us to hit America with jazz in a brand new flavor,” says Royal.

Giant Steps centers around three older guys: Mickey, the legendary bassist, his longtime student Chuckie, and Mickey’s best friend and manager Manny, who share a Harlem apartment where, as the tagline states, “Every day is a rollercoaster”. Their arch rival is a young braggadocious sax player named Brent, who thinks the old cats need to step aside and let some new blood into the game.

The unique nature of the show allows the main actors to actually perform, something that has never been attempted in modern television and a tradition lost from the early movies of Duke Ellington, Louis Armstrong and others.

The aspect of the musician-actors is not a coincidence, as it is the primary mission of its creator Gregory Charles Royal, who has championed the concept with his organizations New York Jazz Film Festival and American Youth Symphony. “Just like Def Comedy Jam did with comedians, jazz musicians need to also adapt and branch out into the current mediums of the 21st century,” says Royal.

The first season is a 3-part episodic titled ‘April Fools Jazz’ and can be viewed free with an Amazon Prime membership. Royal hopes that an African American outlet such as a Bounce or a BET will see the value in the programming to produce season two.

Watch Giant Steps – Season One here:
www.amazon.com/gp/aw/d/B075SSRVPM/

Visit the show’s official web site at www.GiantStepsTV.com or follow them on Twitter (www.twitter.com/GiantStepsTV) or Facebook (www.facebook.com/giantstepstv)

Starring:
Mickey Bass
Paul Tafoya as Manny
Gregory Charles Royal
Brent Birckhead
Zari Veres Royal
Marist Veres Royal

Guest Stars:
Meilin Gray
Greer C. Morrison
Scott Seidman
Seth White

Source:
BlackNews.com

Cuttin’ up: Bounce Television’s hit sitcom returns for its third season with more laughs

Cuttin’ up: Bounce Television’s hit sitcom returns for its third season with more laughs

Bounce will double the laughs by kicking off season three of its hit sitcom In The Cut starring Dorien Wilson and Kellita Smith with two new original episodes back-to-back 9:00-10:00 pm. (ET) on Tues. July 11. All-new In The Cut episodes will continue to premiere Tuesday nights at 9:00 pm (ET) through the summer.

https://soundcloud.com/sp-music/in-the-cut-2017-promo

Coming off its highly-rated second season, In The Cut stars Wilson (The Parkers, Dream On) as Jay Weaver, an accomplished entrepreneur and barbershop owner who is kept on his toes by Cheryl, played by Smith (The Bernie Mac Show, The First Family), the co-owner of the beauty salon next store and his love interest. Ken Lawson (The Parkers) returns as Jay’s 32-year old illegitimate son from a short-lived fling now in on the family business as does John Marshall Jones (The Smart Guy) as fellow barber and pal Smitty. Among this season’s storylines: Social media pressures, positive pregnancy tests, old grudges, evading the government, a special engagement and much more. Guest stars include Tamar Braxton, Ed Lover, DC Young Fly, Cocoa Brown, Nephew Tommy, Marques Houston and Earthquake.

Bounce has grown to be available in more than 95 million homes across the United States and 93% of all African-American (AA) television homes, including all the top AA television markets. Bounce features a programming mix of original and off-network series, theatrical motion pictures, specials, live sports and more.

Bounce (@BounceTV) airs on the broadcast signals of local television stations and corresponding cable carriage and features a programming mix of original and off-network series, theatrical motion pictures, specials, live sports and more.  Bounce has grown to be available in more than 94 million homes across the United States and 93% of all African-American (AA) television homes, including all the top AA television markets. Among thefounders of Bounce are iconic American figures Ambassador Andrew Young and Martin Luther King, III.

 

Blood Pressure Is Thicker Than Water on the next episode of ‘In the Cut’

Blood Pressure Is Thicker Than Water on the next episode of ‘In the Cut’

Blood Pressure Is Thicker Than Water on an All-New Episode of In the Cut
Plus, Can the Guys Keep Their Cool When a Beautiful Woman Comes Around?
Angie Stone and Claudia Jordan
Guest Star
Tune in This Tuesday, September 6 at 
9pm ET/8pm CT on Bounce TV

Angie StonePast tensions arise when Kenny (Ken Lawson) secretly reaches out to Jay’s estranged sister, Thelma (guest star Angie Stone). A health scare causes Mable (Laura Hayes) to make some unwelcome changes at Mable’s Tables.

Claudia Jordan (Real Housewives of Atlanta) also guest stars on an all-new episode of In the Cut this Tuesday, September 6 at 9pm ET / 8pm CT.

In the Cut follows barbershop owner Jay “The Dream” Weaver (Dorien Wilson) as he continues to bond with Kenny (Ken Lawson), the adult son he never knew he had. Drama and comedy surface as he balances working alongside wisecracking employees, his attraction to Cheryl (Kellita Smith), and competition from the new co-owner of the beauty salon next door.

You can catch new episodes of In The Cut Tuesday nights at 9pm ET/8pm CT onBounce TV. Use the hashtag #InTheCut to join the conversation on Facebook,Twitter, and Instagram.

The series was created by Bentley Kyle Evans and is produced by Evans and partner Trenten Gumbs, both of whom produce the Bounce TV hit original series Family Time.

Angie Stone dishes on her guest role:
[embedyt] http://www.youtube.com/watch?v=yj-cnjZ3Mak[/embedyt]

Claudia Jordan dishes on her guest role:
[embedyt] http://www.youtube.com/watch?v=hfPbloh2yLw[/embedyt]

Blood Pressure Is Thicker Than Water:
[embedyt] http://www.youtube.com/watch?v=XQY0fOfG_4Q[/embedyt]

About Bounce TV
Bounce TVBounce TV
 is the fastest-growing African-American (AA) network on television and airs on the broadcast signals of local television stations and corresponding cable carriage. The network features a programming mix of original and off-network series, theatrical motion pictures, specials, live sports and more. Bounce TV has grown to be available in more than 93.5 million homes across the United States and 93% of all African American television homes, including all of the top AA television markets. Among the founders of Bounce TV are iconic American figures Martin Luther King, III and Ambassador Andrew Young. For more information, visit

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